Among the many tragedies we are experiencing with Covid-19, we recently lost Ellis Marsalis. Ellis was a remarkable jazz pianist that was known for his clever riffs and his passion for teaching. Among his many students that went on to have their own music careers are Harry Connick, Jr. and Stephen Colbert sideman Jon Batiste.

Ellis was also the patriarch of the Marsalis family and nearly all of his sons went on to have music careers including Branford Marsalis, one of my favorite contemporary saxophonists, and Wynton Marsalis, who is the artistic director of Jazz at the Lincoln Center.

Ellis made a lot of albums over his career and I’ve spent the last week listening to a lot of them. One of my very favorite tracks he recorded was West Side Story’s “Maria” with his son, Brandford on soprano sax (Apple Music) (Amazon). I love the way he just fills the piano with the right notes. There are so many great Ellis Marsalis tracks, however, that I’d recommend going into your streaming service of choice and listening to him.

Wynton Marsalis summed it up best about his dad, “He could swing like nobody’s business.”

Today’s jazz Friday is me indulging myself having grown up in the ’70s. At the time Chuck Mangione (Wikipedia) did the impossible: He broke into the pop charts playing the Flugelhorn. I remember hearing his most popular tune, Feels so Good (Apple Music) (YouTube), playing everywhere. But the tune that I woke up thinking about a few weeks ago, one I probably hadn’t listed to since 1979 or so was Carousel with that sweet soprano sax from his Bellavia album. (iTunes) (Apple Music) (YouTube). This song just makes me happy. I think it would be a great song to play in the morning while you are brushing your teeth.

While Chuck did gain popularity as a pop star, he also has some serious jazz chops. He played with Art Blakey and the Jazz Messengers filling the seat held by Clifford Brown. Either way, no matter how you feel about jazz, take a minute and listen to Carousel and see if it doesn’t give you the same smile it gives me.

I am back with another Jazz Friday reference to Joey Alexander. I’ve written about Joey before. Just a few years ago, he was a child prodigy tearing up the jazz scene with a remarkable amount of skill and heart playing the piano.

He’s now the ripe old age of 16, and he just released another new album, Warna, which means color in Joey’s native Indonesian language. My fascination with Joey Alexander continues to grow. I speculated just a few years ago about what kind of music we’d get from him as he grew up, and now we see signs of it. This album features many of Joey’s original compositions and they are full of heart and emotion.

I’ve been listening to the album all week, and I can’t get over how someone so young can play with so much maturity. While you’re enjoying your beverage of choice over the weekend, check out Warna. (iTunes) (Apple Music) (Spotify)

Kind of Blue by Miles Davis, my favorite album, celebrated its 60th anniversary a few weeks ago. Below is a YouTube video explaining what makes Kind of Blue so special. Here’s an older video featuring Herbie Hancock. People disagree on the best track on the album. I’d pick “Blue in Green”. There’s something about that first note with that Harmon mute that just gets me every time.

A few years ago I did an interview with Myke Hurley where I talked about the album. Please note it was 5am when we recorded that. I was not the high jazz man I sounded like. I was just not entirely awake yet.

Either way, if you don’t own a single jazz album and were to get just one, I’d recommend Kind of Blue. I have never met anyone who didn’t enjoy it at some level.

Today for Jazz Friday I want to share a contemporary saxophone player that I enjoy, Ben Wendell. Ben plays the sax and bassoon. He’s been a sideman for many artists in many genres (including Snoop Dogg!), but some of my favorite music from Ben are shorts he does with other talented musicians on YouTube. He does collections of these videos that all eventually turn into albums. Lately, I’ve been listing to the Seasons collection and enjoying it. You can get the album on Apple Music and below is one of my favorite videos in the collection.

I’ve really enjoyed a new website, The 1959 Project, that chronicles the jazz scene in 1959. During that single year some of the great jazz albums, like Kind of Blue and Time Out were recorded. It also was the beginning of the end for jazz as a mainstream popular music. Each day there is a new post about something amazing happening. It’s a great jazz education if that’s your thing. Also, here’s an interesting article on the back story of the website (and related documentary film).

I think I’ve featured Joey Alexander, the now fourteen-year-old jazz piano prodigy, too often but this week I discovered he’s now released an album, Eclipse (Apple Music) (iTunes) featuring Joshua Redman, one of my favorite saxophonists. Want some great jazz this weekend? Download this album.

I recently received an email from a reader thanking me for these jazz Friday posts. He explained that he loved learning about some of these older musicians that he had never heard of before but then he very politely ended the email, “Do you listen to anyone that’s not dead?” After I got done laughing I wrote him back and said that yes I indeed do and will even share a few of my favorite non-dead jazz artists.

Chris Potter (Wikipedia) is one of them. He’s one of the finest saxophonists ever to pick up the instrument. For whatever reason, his name has never really entered the public awareness like Wynton Marsalis or (God have mercy on my soul) Kenny G. Nevertheless, he’s an amazing saxophonist. He came to prominence in the late 90s but has continued to release solo albums and work as a sideman with a variety of groups. The guy is a monster. You really can’t go wrong with any Chris Potter album but my favorite is Follow the Red Line: Live at the Village Vanguard (iTunes). Live jazz is always the best, even recorded live jazz. The lead track on that album, Train (iTunes) always makes me smile and on Togo (iTunes), Chris puts down his tenor sax and plays the bass clarinet at the beginning and then comes back in later to play one of my favorite Chris Potter solos on his tenor sax. Be warned … Chris goes way out there on the Togo solo. Another good starting place for Chris Potter is the Apple Music playlist, Chris Potter Essentials. And best of all, Chris Potter is not dead.

Merry Christmas everybody. I hope you and your family are enjoying a great holiday. This year I shared my Yule jazz playlist, and its got lots of subscribers. I’ve heard from listeners that are using it for everything from cooking Christmas dinner to playing in the background while they perform surgery (that’s true!).

Anyway, if you’d like to listen to my favorite jazz Christmas music, check it out for Apple Music. Also, thanks to listener Alex for converting the list to Spotify and posting it on the Mac Power Users Facebook group.